(01-28-2017, 06:33 AM)Robyn Wrote: It might be interesting if Juliette finally confronted the consequences of becoming a Hexenbiest, and became her own person. But Juliette’s emotional breakdown and yearning for Nick is obvious contrived Nick drama.
In the Wesen of the week, the juxtaposition was blaring, and provided an opportunity to portray Nick as more mature and insightful due to his experiences. Nick believed the Wesen was committing atrocious acts for the sake of the better good. But instead of trusting the mother to understand and heed his forewarning of a possible horrendous future, he tries to make the irate husband believe the wife’s insane story about a monster.
The only scenes worthwhile were Renard and Diana. Grimm’s hero is so disappointing, it’s easy to root for the ones who want him dead.
You can finally see the nick grimm we have been talking about. He's a disgrace for a grimm. You can be a grimm and sensitive but he should also wise and smart enough to understand situations but big No!!!!.
(01-28-2017, 06:33 AM)Robyn Wrote: It might be interesting if Juliette finally confronted the consequences of becoming a Hexenbiest, and became her own person. But Juliette’s emotional breakdown and yearning for Nick is obvious contrived Nick drama.
In the Wesen of the week, the juxtaposition was blaring, and provided an opportunity to portray Nick as more mature and insightful due to his experiences. Nick believed the Wesen was committing atrocious acts for the sake of the better good. But instead of trusting the mother to understand and heed his forewarning of a possible horrendous future, he tries to make the irate husband believe the wife’s insane story about a monster.
The only scenes worthwhile were Renard and Diana. Grimm’s hero is so disappointing, it’s easy to root for the ones who want him dead.
You can finally see the nick grimm we have been talking about. He's a disgrace for a grimm. You can be a grimm and sensitive but he should also wise and smart enough to understand situations but big No!!!!.