01-27-2017, 11:20 AM
(01-27-2017, 11:08 AM)irukandji Wrote: And this is my point. If Adalind is so worried about Kelly, why wasn't she fully cooperating?http://grimm.wikia.com/wiki/Conrad_Bonaparte
I saw Adalind cooperating. One cannot fall in love based on an order. Conard was looking into her heart.
The next day, Bonaparte and Adalind met in the mansion to talk, and Bonaparte started out by acknowledging that he knew Adalind wasn't in love with Renard. Adalind said that she was doing the best she could, and Bonaparte told her that he didn't think she was. Taking a little offense to that, Adalind said, "Well, you're not a woman." Bonaparte then told her he wasn't asking her to be in love and that he wanted her to think about her children and their future, presumably with Black Claw, and Adalind told him that Renard just wasn't her type and that her feelings wouldn't change. Bonaparte then took Adalind's hands and told her she should know something about him, saying he wasn't like Sean and that there was more to him than that; suddenly, Bonaparte woged into a full Zauberbiest, startling Adalind as she realized exactly what he had meant. He told Adalind they needed to "understand each other on a deeper level" and she should look like exactly what she was if she was going to be stubborn. Bonaparte proceeded to fuse his hands into Adalind's and turn her to stone, asking her if this was how she really wanted her children to see her. He then reversed what he had done to her. Adalind commented on how much what Bonaparte did had hurt, and he apologized and said, "Sometimes a point has to be made." He telekinetically gave Adalind a wedding ring and put it on the ring finger of her left hand, telling her that Renard would be her prince. Bonaparte warned Adalind to not take off the ring, or else it would be extremely painful for her children, and Adalind managed to collect herself enough to thank Bonaparte for the ring and tell him it was very nice.
Women characters do not have to be having sex with the lead to be important to the story.